[A Filipino production for the
export market. Released in West Germay as “Das Foltercamp Der
Geschändeten Frauen”, “Straflager Fernostand” and “Hell
Train: Camp der Verlorenen Frauen”, in Spain as “Furia
Enjaulada”, in Portugal as “Mulheres Em Fuga”, in Finland as
“Naisarmeija”]
Director Cirio
H. Santiago Writer Bobby Greenwood
Producer
Emilia Blas Music Ernani Cuenco Sound
Supervisor
Rolly Ruta Sound
Effects
Technician
Rodrigo Capule Production Designer
Junte C. Guzman Production
Manager
Santiago Garcia Assistant
Directors Bobby Greenwood
[as Barbara Greenwood], Tiny Lizaso Special
Effects
Mariano Garcia Makeup/Prosthetic
Artist
Juanita “Nita” Manahan Props
Lorenzo Fernandez Setman
In-Charge
Virgilio Sanchez Field
Soundman
Rafael Bulotano Boom
Operator
Felipe Reynera First
Assistant
Camera
Romulo Araojo Second
Assistant
Camera
Freddie Medes Second
Camera
Operator
Felizardo Anastacio Third
Camera
Operator
Narcisco Magkalas Fourth
Camera
Operator
Generoso Buenaseda Clapper
Loader
Jose Cabrales Unit
Manager
Eliseo Corpuz Electrician
Eliseo Corpuz Generator
Operator
Pablito Echavez Grips
Rodrigo Cabrales, Armando
Cayosa, Jose dela Cruz, Ramon Mariano, Ricardo Sto. Tomas Casting Jim
Wynorski Assistant
Production
Manager
Rogelio Alvarez Associate
Production
Designer
Gerry Guzman Field
Coordinator
Edmundo Cruz Driver
Pablito Echavez Assistant
EditorsFederico “Toto”
Natividad, Efren SalvadorPost-Production
Liaison
Nestor Baluyot Titles
Dave de Vera Stills
Angel De Leon Vice
President
Lea Santos Blas Treasurer
Fidelio SantosController
Jose Santos Blas Corporation
Secretary
Estrella T. Mendoza Administrative
Officer
for Publicity
Teresa Santos Blas Assistant
Boy
Ruben Teneza Booker
Julie S. Enriquez Publicity
Director
Bibsy M. Carballo ....
Cast Bernadette Williams
(Denise), Jennifer Laine (Linda), Taaffe O'Connell (Honey),
Catherine March (Jackie), Margaret Magick (Bette), Gina Alajar
(Nguyet), Elizabeth Oropesa (Chinh), Efren Reyes Jr (Pram Van Tin),
Jose Mari Avellana (Van Duc), Leo Martinez (Doctor), Bobby Greenwood
(Kay Dunning), Ken Metcalfe (Hartman), Ernie Zarate (Dang), Mike
Cohen (Hartman's Boss), Nello Nayo (Chinh's Boss), Eddie Villamor
(Viet Officer), Dave "Martin"/D'Martyn (General Burnside),
Bill Scott (Major Perkins), Belo Borja (Viet Officer), SOS Daredevils
Mini-review by Andrew Leavold
Uncle Cirio marries the Women In
Prison genre with The Manchurian Candidate in his baffling Caged
Fury(1982), not for his
Premiere Productions but as a gun-for-hire for major indie Lea
Productions. Blonde Canadian Denise (Bernadette Williams) and 16 year
old Vietnamese girl Nguyet (Gina Alajar) are hauled to a North
Vietnamese brainwashing camp, where between volleyball games its
predominantly female prisoners are molded into ticking time bombs for
political assassinations – cue additional nod to Charles Bronson
thriller Telefon (1977). Camp intrigue abounds as a suspected CIA
plant Linda (Jennifer Laine) is tortured, resident moll and possible
mole Honey (Taaffe O’Connell) plays one officer against the other,
and Denise attempts to escape with sensitive, doe-eyed guard Pram
(Efren Reyes Jr). There’s political intrigue too, as American
company man Hartman (Ken Metcalfe) attempts to swap the girls for an
NV General with a stunning-looking yet devious Chinh (Elizabeth
Oropesa), culminating in a train ride, guns blazing and chased by a
Vietnamese tank squad (!!), to an almost certain inferno. For a Women
In Prison film, Caged Fury is quaintly anachronistic and feels like
Cirio introduced his patchwork effort to a much nastier drive-in
market five to ten years too late. For one thing it’s heavy on
plotting and light on the sadism, despite the better efforts of the
camp’s Colonel Van Duc (Jo Mari Avellana) and his sleazy medical
officer (Leo Martinez) to attach electrodes – or, in campspeak,
“truth buttons” – to the inmates’ nipples (“CIA?” “No…”
ZZZZAPPP!!!!), and an almost psychedelic rape montage as the train’s
soldiers unleash their pent-up lust on the prisoners. As if to spite
Cirio’s restraint, the Germans released an X-rated version with
porno inserts titled “Hell Train: Camp Der Verlorenen Frauen” –
I say “nein”, and as a Cirio purist, I can only follow Van Duc’s
sole camp rule: “OBEY!”
Andrew Leavold owned and managed Trash Video, the largest cult video rental store in Australia, from 1995 to 2010. He is also a film-maker, published author, researcher, film festival curator, musician, and above all, unrepentant and voracious fan of the pulpier aspects of genre cinema. His writing has been published globally in mainstream magazines, academic journals and underground cinema fanzines, for the last two decades.
Leavold toured the world with his feature length documentary The Search For Weng Weng (2013). His ten years of research on genre filmmaking in the Philippines formed the basis of Mark Hartley's documentary Machete Maidens Unleashed! (released internationally in 2010), on which Leavold is also Associate Producer, and he has since been recognized both in the Philippines and abroad as the foremost authority in his area of expertise, teaching Philippine film history at university level in Australia, the United States, and throughout the Philippines. Leavold teamed with Daniel Palisa to co-direct The Last Pinoy Action King (2015), both a feature-length documentary on the late Filipino action idol Rudy Fernandez, and a dissection of film royalty, politics, privilege, idolatry, and the Philippines’ pyramid of power.
He is currently shooting two new feature-length documentaries – The Most Beautiful Creatures On The Skin Of The Earth (also with Palisa), the third in his Filipino trilogy, about erotic cinema under Marcos; and Pub, a history of the vibrant St Kilda music scene as told through its most outrageous progeny, Fred Negro. Both films are due for release in 2019.
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